Cover Lady Macbeth at the Hong Kong International Shakespeare Festival (Photo: courtesy of Rolando Paolo Guerzoni and Teatro Comunale di Modena)

The bard’s work will be adapted into dance, opera and original theatre works in West Kowloon this June

The inaugural edition of the Hong Kong International Shakespeare Festival, which will take place at Freespace, West Kowloon, officially kickstarts on June 5, with five theatre productions that will run through June 16. Before that, from May 10 to 12, one performance—part of an associate programme of the festival—will be on show at the Cultural Centre. The festival will spotlight artists from Hong Kong, Romania, Italy, South Korea, the UK and Australia.

The festival will open with French composer Charles-François Gounod’s Roméo et Juliet, an opera in five acts performed in French; this version is produced by Opera Hong Kong’s Warren Mok. The opera premiered in Paris in 1867 and is one of the most successful opera adaptations of the Shakespeare tragedy in history.

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Above Henry V (Photo: courtesy of Parrabbola)
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Above King Lear (Photo: courtesy of Tang Shu-wing Theatre Studio)

Next, local theatre veteran Tang Shu-wing will stage an all-female nonverbal version of King Lear, performed by Hong Kong actors and an international cast from Romania’s National Theatre Marin Sorescu, Craiova.

Hong Kong Dance Company (HKDC) will collaborate with Italy’s Imperfect Dancers Company to put on Lady Macbeth, an adaptation of Macbeth, with Hua Chi-yu, a four-time winner of the Hong Kong Dance Awards, in the lead. Hui has performed in the lead roles of some memorable local productions, like Lady White of West Lake (2017), The Butterfly Lovers (2018) and Princess Changping (2010).

In Macbettu, Italian director Alessandro Serra will put on an all-male version of Macbeth, set in Sardinia, Italy, where cowbells, horns, stones and animal skins fill the theatre to present the primitive desire for power.

Henry V Man and Monarch is a bold adaptation of the original Henry V by Philip Parr, the director of the York International Shakespeare Festival. It is a one-man performance delivered by Australian actor Brett Brown and explores the many sides of this king of England as a monarch and a man.

The festival closes with Hamlet_Avataar, which blends Korean clown performances and Indian music to offer a refreshing take on Hamlet.

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Above Macbettu (Photo: courtesy of Alessandro Serra)
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Above Hamlet_Avataar (Photo: courtesy of Seoul Factory for the Performing Arts)

The Hong Kong International Shakespeare Festival was initiated by Tang, who has been contributing to the development and education of the city’s performing arts scene for more than 30 years. The festival is based on the concept of the European Shakespeare Festivals Network, a group founded in 2010 that represents key festivals across Europe. The Hong Kong edition was originally scheduled for 2020 but was postponed to this year.

Explaining his vision for festival, Tang said at a press conference at Laubak Livehouse, West Kowloon on March 27 that contemporary interpretations of Shakespeare’s plays “allow us to reflect on existential issues, because the world we’re living in today is nearly crazy. Whether you like Shakespeare or not, there’s always something profound for [you to reflect on]. Almost every character in his plays leaves his stage with absurdist laughter or regrettable sorrow, and so do we in one way or another.”

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