Cover Horror filmmaker Kenneth Dagatan clues us in on what he finds spine-tingling (Photo: Wesley Villarica and illustration: Raphael Quiason)

Kenneth Dagatan’s win at the Midnight section of the 2023 Sundance Film Festival has cemented his status as an up-and-coming filmmaker. Here’s what inspires the Filipino creative’s hair-raising narratives

Filipino filmmaker Kenneth Dagatan specialises in the genre of horror. His two most acclaimed films are Sanctissima (2015) and In My Mother’s Skin (2023). Starring Jasmine Curtis Smith, In My Mother’s Skin won at the Midnight section of this year’s Sundance Film Festival. Set in the Philippines during the second World War, the story revolves around a young girl looking to save her sickly mother through a deal with a supernatural deity. 

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Written and directed by Dagatan, the film, which is available on Amazon Prime, explores both fantasy and folk horror. But what does horror mean to Dagatan exactly? The Gen.T honouree tells us the inspirations behind his narrative and gives us insight into what truly scares him. 

Above Video trailer of Dagatan’s award-winning film

How did you get into film directing?

Kenneth Dagatan (KD): As a kid, I loved watching movies from my father’s VHS collection. I vividly recall the day I watched the 1939 classic, The Wizard of Oz. It left me curious about filmmaking. The transition from black-and-white to colour on the screen stuck with me. 

Officially, my filmmaking journey began in high school when I was tasked with creating horror short films and music videos as part of an assignment. I remember I had no clue how to edit or shoot a video. It was my brother who taught me video editing. Watching him edit was like watching a magic show. The discovery and enchanting sense of possibility that video editing had ignited my love for film.

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What was your experience entering film festivals and competitions?

KD: It was entirely new to me, but what made the journey unforgettable was the remarkable individuals I met during our festival run and the moments with those who helped me make the film. Connecting with people who were not only accomplished but also those whose work I had admired since I was a kid was truly humbling. The experience inspired me to continue making films and tell stories that resonate with me.

Above Trailer of Dagatan's 2015 film, ‘Santicissima’, which won the Audience Award that same year at the Cinemalaya Film Festival

Why did you choose to do horror? 

KD: I believe a horror film goes beyond merely scaring audiences. It delves into the genuine horrors of our world and explores the grey areas that leave us curious. It’s fascinating how this genre can reveal deeper truths about our reality.

How do you define horror? What makes something scary?

KD: We understand that horror often revolves around the fear of the unknown. What truly terrifies me is when you engage with a film or a piece of artwork and that fear of the unknown starts to seep into our everyday reality. It makes the horror feel more relatable, whether on a social, metaphorical or literal level. What’s truly chilling is that you cannot change or control these unsettling forces. 

What is your favourite scary movie or film? What inspires you?

KD: This one is hard, but I think the last film that scared or triggered me is Martyrs (2008) by Pascal Laugier. The film has excellent elements for a disturbing horror film, but it transcends it through the film’s discourse about faith and the afterlife.

A horror film goes beyond merely scaring audiences. It delves into the genuine horrors of our world and explores the grey areas that leave us curious

- Kenneth Dagatan -

Is there a difference in the way one would direct horror versus other genres like comedy or romance?

KD: I believe that each genre in filmmaking presents its unique set of challenges. I see horror and comedy as somewhat akin, like distant siblings. The process of setting up a compelling punchline in comedy mirrors the way we create an effective jump scare in horror. Both rely on precise timing and build-up to deliver the desired impact.

In essence, horror and comedy demand careful consideration of shots, pacing, and sequences to set the stage for that decisive moment. For horror, it’s all about pacing, atmosphere, sound, and visuals. Achieving the right balance among these elements, along with adding layers such as drama, is what makes a good horror film. It’s undeniably a challenging process, but it’s undoubtedly enjoyable to create and watch.

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What’s most challenging about directing a horror movie?

KD: What is scary is highly subjective because what frightens you might differ from what scares others. I believe this subjectivity is one of the challenging aspects of creating frightening stuff. It involves arguing with your taste as you craft something terrifying. Doubt may surface, making you question whether the material you’re developing is scary enough. This is where your collaborators play a crucial role. As a team, you embark on the creative process, combining ideas. It’s a collaborative effort, and the ultimate goal is to reach a consensus that what you’ve collectively created is undeniably terrifying.

Do you believe in the supernatural?

KD: I do believe in ghosts or spirits. Growing up, I was surrounded by ghost stories, both in our house and our neighbourhood. My parents and the adults around me firmly believed in these tales, so as a child, it was easy to embrace these notions.

As an adult, however, you become more aware of the world and the genuinely unsettling aspects of reality. It’s a sobering realisation, but that fascination with the supernatural and the desire to explore the unexplained still lingers, almost as if you’re still that curious young boy pondering the mysteries of the unknown. Interestingly, while filming In My Mother’s Skin, despite being in a very old mansion, we didn’t encounter any ghostly experiences. I like to think that the spirits of the mansion accepted our presence while we were there.


See more creatives in Entertainment on the Gen.T List 2023.

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