A fan of the opera? The Cultural Centre of the Philippines, the Rustan Group of Companies, the Filipinas Opera Society Foundation, Inc, the Embassy of Italy in Manila, and Hilton Manila bring the production of Lucia di Lammermoor in the Philippines. Scroll through to find out more:
Not since the ‘80s, when I watched Maya Plisetskaya’s rippling arms in The Dying Swan, has a performance stopped me dead in my tracks. Okay, I am being unfair. I rarely go to the theatre, so I do not qualify as a critic. And yes, I also remember Lea Salonga taking my breath away when she went an octave higher in her rendition of “Memory” from the musical Cats. But I am a legit spectator whose senses are not untouchable, however—or because they are—raw in the arts.
So, there I was, enjoying the opera Lucia di Lammermoor by Gaetano Donizetti, at the Main Theatre of the Cultural Centre of the Philippines. The Tatler Philippines box, smack centre of balcony 1, gave me a vantage point in terms of listening, viewing, and snapping some photos. Then Phil-Am tenor Arthur Espiritu started to perform “Tu Che a Dio Spiegasti l’Ali” (“You Who Unfolded Your Wings to God”), the last aria in the third and last act, and I was riveted to the stage. Though poised to take another snapshot, I had frozen, lost my eyes, my ears, my breath in the voice, the song, the emotions emanating from this artist essaying the role of lover who’s been the victim of a lie, just learnt the love of his life has died, and was about to commit suicide himself. I even forgot to read the subtitles flashing on the upper part of the stage. I was thoroughly enthralled even though I did not understand a word being sung.