Update: Ang Pagpapakalma Sa Unos won the Special Jury Prize
Although Typhoon Haiyan was one of the worst things that have happened in the country's recent history, there is only a handful of films and artworks that have attempted to immortalise it. My personal favourite among the competing films of this year, Arong's Ang Pagpapakalma Sa Unos not only reminds us of the horrors the catastrophic typhoon has left us but the more terrifying aftermath that has haunted us for years.
Inspired by the local tale of a pig that shakes the earth whenever there is an earthquake, its English title To Calm The Pig Inside, revisits Leyte locals' loss for words to describe one of the world's deadliest natural calamity ever. As narrated by an unnamed young girl, the film divulges bits and pieces of her own memory of her grandmother and mother to tie in the experiences she felt when she visited the ravaged port city of Tacloban after the typhoon wreaked havoc. She said that the people at the time didn't know what to say or how to cry for help as they only know the word "buwa" to calm the pig inside the depths of the earth when there is an earthquake. They didn't even have a word for "storm surge", the typhoon's five to six-metre-high wave that damaged the province.
The film explores the negligence of the government, the attention of the media to government-related scandals before the typhoon came, and the unwavering faith of the survivors while also being desperate for help during the aftermath. Tying in clips and images before, during, and after the storm in stark black-and-white colour, the film is a tribute to the lives lost and bodies left unidentified during the catastrophe. With some parts in colourful juvenile drawings remaining true to the perspective of a child, it is an awakening film ironically for the adults who have remained blind and deaf to the cries of the people of Leyte.
See also: Save The Earth Now Or Lose It In Thirty Years, Say Environmental Experts