The elemental splendour of Provence serves as the perfect inspiration for a home masterfully designed by BUDJI+ROYAL Architecture+Design

To say that Provence paints a beautiful picture is to almost wax poetic. Its stunning blue skies, hilly terrain, and lush lavender fields have moved artists to visit and source inspiration for their work. Among these was the revered Pablo Picasso, who had lived out the remainder of his days inthe commune of Mougins. For the landscape and architecture alone, many have elected to build houses in the region, either as permanent residences or as homes away from home. Like this picturesque property by BUDJI+ROYAL Architecture+Design. To this day, the design duo that make up this total design firm remain enchanted by the character of the project.

Owned by a Frenchman and his Filipina wife, this one-storey residence sits atop an elevated land area enveloped by vineyards and lavender fields near the medieval town of Gordes. As in a piece of a puzzle, it melds perfectly with its natural environment for the architects have taken great care to create a sense of continuity and belonging. “The goal was to own the landscape visually—to establish that the surrounding nature is part of the property, so to speak,” says Royal Pineda, principal architect and CEO. “Because it was vital that we retain a certain spirit, there was hardly any manicured landscaping involved. And if you are surrounded by all this amazing flora, the last thing you would want is to draw the line with a fence.”

Tatler Asia

In Gordes, there is a law that, if one were to build a structure, it must be done so using French limestone for the exterior to preserve the character of the commune. While following the mandated parametres, BUDJI+ROYAL integrated a modern Asian touch into the design, evident in the updated interiors as well as in the open-plan layout. Traditional elements such as limestone pillars, log beams, tumbled stone floors, and exposed terracotta tiles are added into the mix, providing an aged, weathered look to the structure. The furnishings, accents, and artworks—most of which were designed and done by Budji Layug, principal designer and chairman, himself—were brought in from the Philippines. And to assist in coping with the changing seasons, double glazed heated panels were installed indoors.

Tatler Asia
Tatler Asia
Tatler Asia

Veering away from traditional compartmentalised Provençal architecture, they made use of large glass doors, all leading to the main courtyard where the pool and lanai are located. These doors allow natural light to filtre in, giving the space a pleasant feel. “It can be cold when the temperatures drop; and in France, majority of the people perceive space as a wholly indoor element,” shares Layug.

“With this design, we introduce the feeling of simultaneously inhabiting the interior and the exterior, as well as the idea of all-around entertainment because the common areas flow into each other.” And though these spaces are at the centre of the property, a modicum of privacy is maintained through the separation of the master and guest pavilions.

Tatler Asia

Positioned at a curious angle, the cascading roofl ne provides an unobstructed view of the open sky, emphasising the hierarchy of space. In the same vein, the doorways are oriented in such a way that they open to spectacular views, affording one an immediate connection with the surrounding nature. The abundance of outdoor seating areas provides additional options for convivial gatherings as well as venues for creative outputs. It was this environment that provided Layug the inspiration to work on the paintings that now hang about the house. “The vivid colours that are so organic to Provençe cannot be found in many other places in the world,” he adds. “No wonder it was a haven to the painters of the Impressionist period.”

Because the terrain has somewhat of a mystical quality to it, the changing of the seasons and the passing of time aff ect the property itself. Pineda reflects, “When you wake up in the morning, you are sometimes greeted by the fog, and you cannot help but think you are still dreaming. When you photograph a part of the house—say the pool or even one of the walls—at a certain time of day, the next one you take when you revisit it may evoke a different feeling because of how the light has touched it. The sights command your attention; you are enraptured until the moment has passed. It’s a unique sensory experience.”

 

arrow left arrow left
arrow right arrow right
Photo 1 of 3
Photo 2 of 3
Photo 3 of 3

For BUDJI+ROYAL, the design process is of equal weight to the finished product.  They take great care in understanding the lay of the land, ensuring that any structure they build will be relevant to the site that houses it. Concepts that are too foreign and too intrusive are out of the question; outwardly imposing on a terrain—especially one as storied as Provençe—is against their philosophy.

“The aim is to present the sensibility and identity of BUDJI+ROYAL to the world in a refined manner,” Pineda says. “We are not here to dilute or change who our clients are; rather, we want to be an addon to the roots that they have established. When we came to the site for the first time, we already knew that this house must have a unique soul because of the nature of its location. From the get-go, it was about taking things a notch higher; moving beyond architectural compositions to give the structure its heartbeat.”

Photography by Marc Henrich Go

Topics