The couple worked with Diego Molina and Maria Arango, directors at architecture firm Ong & Ong, to craft a home with plenty of communal spaces. They also wished to bring cadences of California and Provence to their home inside and out—the couple’s companies are based in these two locales, which are also destinations they love travelling to. “The key to combining the regions was to identify their similarities—we had to contextualise these two foreign styles within the local environment,” elaborates Molina on the inspiration behind the “SoCal meets Southern France” abode.

New Perspectives

One of the reasons that convinced the homeowners and architects to do a reconstruction was the way the original house had completely turned back on the verdant landscape behind it. The existing Good Class Bungalow (or GCB, a type of property in Singapore, which has a minimum land area of 1400 square metres and is located in a zone specifically identified for GCBs) was almost 30 years old, with a brick façade and tiled pitched roofs similar to the neighbouring houses. The existing structural columns and beams were retained and reinforced where necessary, with the original plan reversed in order to bring the greenery in. “We turned the house around so that it faces the natural backdrop—the service areas and kitchen were previously located next to the forested area of the drainage reserve,” explains Molina.

Besides orientating the spaces to take full advantage of the lush foliage, the architects also created capacious living spaces that have a liberating effect on the previously congested floor plan. “The existing interior layout was cluttered and segregated into small spaces, particularly in the kitchen and dining areas,” says Arango. “There was definitely a need to combine and integrate these spaces as much as possible to create the connectedness that the family wanted.” These spaces now flow seamlessly into one another, without resorting to utilitarian corridors or underutilised pockets of transitional spaces.

Take the first storey, for example. The entrance foyer now leads directly to a solarium-like living and dining area. The space has been extended beyond the existing row of columns, creating an enclosed veranda that blurs the boundaries between the inside and out, and also serves to heighten the engagement with the landscape. The circulation and service areas have been clustered together in a way that maintains a fluidity of movement through the spaces around them, while the bedrooms on the second storey open out onto a common hall and family room, ensuring that the family has a space to remain connected.

Rustic Beauty

The house itself is now an assemblage of carefully curated elements, materials, colours and textures. The pitched roofs—with their curved clay roof tiles and exposed rafters—look right at home whether they’re in California, Provence, or Singapore. The boundary fence was constructed using jarrah wood from recycled railway sleepers, while the external walls have Turkish mocha travertine in a split finish wrapped around their corners, as a full stone façade would look too heavy in a tropical context.

Large expanses of French windows can be found around the first-storey envelope. Fabricated from anodised aluminium, the windows are reminiscent of the bronze frames in Provencal homes. These floor-to-ceiling fenestrations let in abundant natural light, and when opened, allow natural cross-ventilation throughout the entire home—the windows are also fitted with low-emissivity glass, which help mitigate heat penetration into the interior.

Apart from aesthetic requirements, the abode’s material palette also factors in the maintenance considerations. The interior flooring is predominantly eco-friendly engineered oak, which gives the home a sense of warmth. Some areas such as the kitchen and main staircase feature travertine flooring with a tumbled finish—it harks to the use of stone seen at Californian ranches and Provençal houses, while adding a rustic quality to the abode. White sandblasted wood panels used on cabinet doors create the weathered country look without the maintenance woes. The walls of the home are covered with a bioclimatic plaster that prevents the growth of mould and algae, and also helps to keep the interior cool.

Another element that contextualises the home is the homeowners’ collection of Southeast Asian art including pieces by Yusof Ghani and Abdul Multhalib Musa, as well as homegrown artists such as Chua Ek Kay and Thomas Yeo. “We love Southeast Asian art as we are living in this part of the world, so we should support these artists,” says the man of the house. Selected artworks and sculptures created by the elder daughter also take pride of place along the corridor and stairways, adding a personal touch to the family’s collection.

Personal Space

Every member of the family gets to enjoy their very own personalised space. The master bedroom is a portrait of serenity with a colour palette of grey, white, and brown. Diffused cove lighting accentuates the height of the ceiling and the exposed rafters, while a recessed alcove creates a cosy nook for reading—it’s also the preferred spot for mother-daughter bonding. Past the spacious walk-in wardrobe is the en suite bathroom that features an outdoor bath and shower area with a beautiful view of lush greens. 

The couple’s two daughters have bedrooms with almost identical layouts, incorporating minor adaptations that reflect their individual preferences. Both rooms feature an attic-like loft that makes full use of the triangulated pitch of the roof. The elder daughter has a cosy bay window where she can read, while the younger one got the balcony that she always wanted. Even the family dog has his own favourite spot in the multipurpose guest room, which overlooks the outdoor pool and Jacuzzi.

Despite the new home’s expansive size, the family has been brought even closer together—their favourite place to gather is the kitchen. Located next to the pool, it has the spatial quality of a breakfast room: bright and airy, surrounded by French windows. This is where the family bonds over meals and catches up on their day while the younger daughter—who is the chef in the family— experiments with new recipes. “Our kitchen was conceived to be the heart of the home; it’s like a fireplace hearth where the family can hang out,” shares the father. “Despite this being a large house, I feel that the family is even more connected than before.”

Styling: Khairul Ali | Photography: Boonwei/Beebox | Assisted by: Tong Li

Originally published in the latest Philippine Tatler Homes, which is now available in all leading newsstands and bookstores, and downloadable via Magzter, Zinio, or PressReader.