The work of long-time collaborators Jaime Ponce de Leon and Margarita Forés is the equivalent of a natural history of the senses, ensuring that Filipino culture remains a visceral experience for this generation
What Filipinos should know when travelling to Europe and Mexico is that their churches and museums are full of carved ivory artefacts called “Hispano-Filipino.” These treasures were crafted by a prolific Filipino peasant class from the 16th to the 19th centuries, which enabled the country to dominate the ivory trade of the period. Sadly, as there were no regulators then tracking the flow of goods in and out of the country, it also meant that everything went to export.
These days, only a few of these pieces exist in the Philippines; and even then, they are predominantly found in private collections. Here in Manila, Hispano-Filipino is a speciality of the Leon Gallery and its founder and director, Jaime Ponce de Leon. In August, the gallery made history when it received one of the highest bids ever made for a 17th century ivory piece. “When I travel I’m always on the lookout for the best ivory,” says Ponce de Leon. “If you go to Europe, the most expensive crucifixes or ivory sculptures are Hispano-Filipino. They are always priced differently by galleries, and that’s something to be proud of.”
For Ponce de Leon, the work of the gallery is very much a two-way street. “People who love these things have an exquisite taste, which influences both the collectors and the clients,” he says. “In running the gallery, I myself have to be an advocate for the best art. This is precisely why we focus and aim to have top quality Filipino art coming out of our auctions.”