Selected by Verena Paravel and Lucien Castaing-Taylor, Kidlat Tahimik's debut film was once again screened at the prestigious international film festival in Switzerland and has been made available internationally for a limited time period via Mubi application. Here's our take on this landmark film that introduced independent cinema to the Philippines
An unconventional film that has launched Kidlat Tahimik to monumental success, Mababangong Bangungot (Perfumed Nightmare) returns to the Locarno Film Festival with its virtual edition this 2020.
The 1977 film has earned an award from critics at the Berlin International Film Festival (Berlinale) when it premiered and has since then toured the world, showcasing a glimpse of old rural Philippines and the struggles of a common Filipino man against globalisation and neocolonialism.
With the aid of his friend Hartmut Lerch, Kidlat Tahimik's filmmaking style was established in this film—a fusion of documentary and fictional narrative, with a narration by the filmmaker who speaks in an observational tone, giving a glimpse into his own personal story enmeshed with local folklore or pop culture.
It proved to be a successful experiment that encapsulates popular Hollywood independent filmmaking of the '70s and '80s but still true to Filipino identity. Indeed, with this film and his succeeding works—not to mention his conferment of the National Artist title—Kidlat Tahimik cemented his reputation as the "Father of Philippine Independent Cinema".
Similar to his following films, Kidlat Tahimik starred in, wrote, and directed Mababangong Bangungot. It follows the eponymous character Kidlat, a young Filipino jeepney driver from Balian, Laguna, who is very passionate about space travel, a burgeoning trend since the '60s. As the president of the town's Wernher von Braun club, which was named after the renowned pioneer of rocket and space technology, he dreams of becoming an astronaut someday. But for the meantime, this "master of the vehicle" has to first understand the unofficial national car of the Philippines.
With sequences shot as cinema verité, Kidlat Tahimik shows audiences how a jeepney is made—where we credit its origin and efficiency (most especially for passengers riding with livestock going to Manila). The film also tackles the importance of bamboo and why houses in the Philippines were built using this material.