Establishing the Finale Art File Gallery in 1983 has allowed Vita Sarenas to help introduce and promote many of the contemporary artists we know today. The early years were challenging for her and the gallery: it opened at a time when the country was plagued by rallies and coups in light of the prevailing political climate; and while the gallery managed to keep itself afloat through the support of masters—among them Cesar Legaspi, Ang Kiukok, Malang, and Romulo Olazo—there were exhibitions by emerging painters that did not sell at all. This did not stop her from supporting these young artists who would later become well-known names in the local art industry. Starting with a wall and stockroom space at Finale Boutique in Makati, the gallery later relocated to a bigger warehouse along Pasong Tamo, making it a go-to destination for art enthusiasts and Sarenas one of the most respected gallerists and curators in the country.

Philippine Tatler: How would you describe the Philippine art scene today and where do you think it is going?

Vita Sarenas: Today’s Philippine art scene is very upbeat. There are more events, artists, galleries, and collectors. Young contemporary artists have a lot more to give, collectors are very supportive, and we have a growing number of art enthusiasts.

I would attribute the vibrancy in the art scene today to social media as it has become a fast and easy precursor of interest in art. On the other hand, it is the crazy prices in the auctions that make it attractive and exciting among collectors and speculators.

PT: What characteristics are you looking for in the artworks that you put up in your gallery?

VS: It’s always something I like. The concept, use of material, and skill are all important to me.

PT: In all the years of exhibiting countless artworks in your gallery, which has been the most memorable piece and why?

VS: Several, mostly coming from young contemporary artists. I am in awe of how they think.

PT: Finale Art File Gallery has introduced many exceptional contemporary artists. What more can we expect from them?

VS: When we started promoting young contemporary art, it was tough to sell because some collectors could not understand it. All through those years, styles and sensibilities changed a lot. We had to expose ourselves to learn and understand what the young artists were doing. We pushed and persistently exhibited them. I think with the energy, creativity, and innovativeness of the young contemporary artists, we can continue to expect something new from them all the time.

"Private Viewing" by Annie Cabigting, Video Room, Finale Art File

This May, catch the works of Ranelle Dial, Keiye Miranda, Ian Quirante, and Carla Villafuerte at the Tall Gallery, Lubin Nepomuceno's recent masterpieces at the Upstairs Gallery, and Annie Cabigting's unique video montage revisiting the journey of her works from the "Under Wraps" exhibit five years after. 

The exhibition runs until May 27.