How does one topple down a fascist regime when hopelessness has already forged indifference?
First seen by filmmakers, critics, and cinephiles at the Directors' Fortnight (non-competition section) of the Cannes Film Festival last summer of 2019, Lav Diaz's Ang Hupa (The Halt) is coming back to the big screen this year thanks to Quezon City's popular moviehouse, Cinema Centenario. It had left audiences bewildered during the opening day of Cinemalaya 2019, with some considering it the most straightforward film of the critically-acclaimed auteur to date.
Familiar yet distant, Ang Hupa is set in 2034 Metro Manila. However, fashion, architecture, and music remain unchanged. In this setting, a national ID system is strictly implemented, camera drones serve as a robotic police surveillance system, and artillery is not as advanced as it must be. Filipino masses continue to work for scraps in a socio-economic condition made bleaker by the darkness of the sky for the last three years. A natural calamity that has caused the clouds to completely cover the sun was what catapulted Nirvano Navarra (Joel Lamangan) to the presidency, enforced by the military—or by divine right as he claims. Fronting as a heaven-sent solution to all the problems of the Philippines, Navarra rules the country with terror and fear and allows the army to execute all those who oppose him. While his ways are harsh and tongue sharp as steel, still the fictional President resorts to gardening, feeding his pets, or knitting while wearing a worn-out daster (woman's indoor dress) in his unflatteringly small apartment to take a break.
Meanwhile, the nation is slowly recovering from the epidemic that had struck it a few years back and killed millions. Vaccines are being handed out, but the fear lingers and despair grows with it. The portrayal of misery in various sectors of society—of which President Navarra could be oblivious—is seen through the circumstances and moral dilemmas faced by two special forces officers Marissa (Mara Lopez) and Martha (Hazel Orencio), a history teacher by day and sex worker by night Hammy (Shaina Magdayao), psychotherapist and political theorist Dr Jean Hadoro (Pinky Amador), and renegade-turned-assassin Hook Torollo (Piolo Pascual).