From one storyteller to another, Paul Soriano talks to Tatler Philippines about the silver screen and its silver linings
It’s not true what they say, you know. “Find a job you enjoy, and you will never have to work a day in your life.” That’s unrealistic: there are too many late nights and early mornings, stressful meetings and unreasonable arguments. There is plenty of work to be done, in any sort of work that you have to do — the only difference is whether it’s all worth it.
In my quick exchange with Paul Soriano, he discussed filmmaking with me — me of all people, a complete amateur in production, film, and movie-making. Yet despite my naiveté, I still understood: that one, speaking to Paul about film is like igniting a fire. It’s a passion that he is quick to defend and excited to discuss. Second, that despite our differences — his successful movie career versus my young start at publishing — we are, at heart, storytellers. And we love what we do.
Paul, as a matter of fact, falls in love with film every day. His next project is always his favourite. But perhaps, he reminisces, he truly realised he had such a passion as a young man in high school.
“I had access to a Video8 camera [at that time and began shooting with it]. My brothers were my actors [and] I was just shooting using my imagination. There really was no story; I just wanted to capture life. I clearly remember mounting a shot where one of my brothers was going from his room to outside the house [and] since I had [only] one camera I [asked] him to do it multiple times so I could cover it from different angles. Then, when I edited it together, it looked like one clean shot [but] told from different perspectives. To be able to shoot this simple scene in multiple angles and edit it to look like one clean shot was amazing and [that’s when] I fell in love with film. [This feeling never left and it’s] the same feeling I get over and over again up to this day [and] with every film I'm a part of.”
Before this however, before Paul had felt the thrill of shooting and editing, he had wanted to be a professional golfer. Yet, he says: “I couldn't get the camera out of my mind. [I couldn’t forget] how much I loved movies. I would constantly write, shoot short films and then when I was around 24 years old, I finally told myself: ‘Let's give this a try’. And thankfully, it worked out pretty well for me.”