Amid the pandemic, maverick fashion designer Rajo Laurel launches a quiet luxury collection that speaks volumes on fashion sustainability, shot in the historic Tokyo residence of the Philippine ambassador to Japan
In a peaceful hilltop neighbourhood in Tokyo, Japan stands the Kudan, a historical mansion built in the 1920s by an heir to a Japanese financial empire. Many consider the mansion an architectural enigma, for its eclectic interiors showing a mix of Nippon, Spanish, Gothic and Renaissance styles.
Most people might know the Kudan as the official residence of the Philippine ambassador to Japan. To designer Rajo Laurel and his family, however, it is “home”.
In 1994, the designer’s great grandfather, former President Jose P Laurel, bought the Kudan for the Philippine government. For years, it had housed many noble residents including Rajo’s grandfather, Jose H Laurel, who also served as a Philippine ambassador to Japan. Now, his father, Jose C Laurel V, is the official resident of the house being the current Philippine ambassador to Japan. His parents even got married here.
Read more: Rajo Laurel Reveals 3 Spring Summer 2021 Collections
Adding to the many fond memories Rajo has collected in the Kudan is the photoshoot for the House of Laurel’s spring-summer 2021 collection. “That was [a special experience] I will cherish forever,” he says.
It all came about by coincidence. Rajo shares, “Since the [start of the pandemic, my father] has not been able to come home and has been living alone in Tokyo. I was tasked to keep him company and was with him for the holidays. [I] stayed there for over two months.”
Without his usual team, Rajo had to take on various roles during the photoshoot. “Because of the pandemic, we only had a skeleton crew: the photographer, the model, the stylist and me. I had to practically do everything—from ironing to [styling] the hair and [applying the model’s] make-up.” But the multi-tasking designer didn’t seem to mind this, finding the experience fun.
He decided to have the photoshoot at the grand abode as the venue echoed the qualities of his new collection.
He wanted to create pieces that defined quiet luxury “by way of truly luxurious materials and creating pieces that one would keep, cherish and love. Not just for now but hopefully forever”